Showing posts with label Upward Bound. Show all posts
Showing posts with label Upward Bound. Show all posts

Monday, October 22, 2012

The Game and The Art


Last July 60 at-risk High School youth from East Stroudsburg University's (ESU) UPWARD BOUND program played the Samurai Game® accompanied by The Art of Practice & Organizational Dojo.

Since its creation the Game has existed to address core issues related to conflict, specifically in its ultimate form - war.  The Game's author, George Leonard, used it to beg this question: "We know that throughout history war has done nothing but destroy. So why do we, the most intelligent species on the planet keep practicing it?"
  
In an effort to provide youth with alternatives to conflict ESU's Upward Bound Director Uriel Trujillo requested the July program.  As a result he and those young people inspired this writing.  


Upward Bound   
(continuing from the August and September 2012 issues of The Ronin Post)


Today, in 2012, our national conflicts are front and center. We are engaged in a great debate. It's good that we debate; free speech is important. We are gearing up to an election. Also good - we can still freely elect. But is our debate being conducted or held as dialogue, a dignified communication of differing perspectives for the sake of learning and acting anew? Hardly. Rather, it offers little more than sound bite positioning. Little room exists for alternative perspectives regardless of what side the debater takes or to what political party he or she subscribes. How rigid we've become! This kind of rigidity, this unwillingness to look at a situation from alternative viewpoints, is symptomatic of war.

The kind of struggle we are engaged in as we run up to our election is not new. In Chapter I (The Coming Crisis) of his Civil War Memoirs, Ulysses S. Grant wrote: "The [Constitutional] framers were wise in their generation and wanted to do the very best possible to secure their own liberty and independence, and that also of their descendants to the latest days." And he continued: "It is preposterous to suppose that the people of one generation can lay down the best and only rules of government for all who are to come after them, and under unforeseen contingencies."

Grant was 62 when he wrote his memoirs. He was reflecting on the kind of rigidity that drove his country to war against itself. To this day that war remains our bloodiest. A year after completing his writing Grant died. Grant, the self-deprecating and reluctant West Point man who returned to soldiering only after the needs of his nation demanded that he do so. Grant, who felt himself ill equipped to command, yet he rose to lead armies and their generals into battle. Grant, who accepted Robert E. Lee with dignity and afforded him respect (not humiliation) at the Appomattox Court House. Grant, the former 18th President of the United States who lived his last years in severe ill health, on borrowed money, and bankrupt by reason of "the rascality of a business partner" - his financial standing having been ruined due to "universal depression of all securities" (his own words). Grant, a man of the nineteenth century could well be described as a man living through own last decade.

Who said, "Those who fail to learn from history are doomed to repeat it", was it Burke? Perhaps Santayana? Maybe Churchill? Does who said it really matter? Probably not. But the WHY it was said it certainly does. And what truly matters is that these words remain relevant today.

What about learning, what does this word mean these days? Is learning simply a becoming aware of data, fact and information? OR, is learning an actualization accompanied by a transformation of practice? In other words, something NEW or DIFFERENT becomes so rooted and acted upon that past practices and realities (while never forgotten) dissolve to be replaced by new more effective actions and practices.

Of what value is it that we should continue to put forth the need to create peaceful practices rather than practices dedicated to increased conflict and war? Is it important that one be able to recognize what drives his or her personal desire or need to attack and/or fight (even against one's self) - when attacking and fighting have become unnecessary or counter productive, or both?

Five years ago I walked through Auschwitz. Its ground and barbed wire fences, barracks and ovens were silent reminders that surrendering to bigotry cannot work. But they also informed me that if mouths had spoken up (rather than remaining silent) and bodies had taken action (rather than remaining still) things in Europe and for the rest of the world would have been different from 1933 through today.

Where do our personal wars exist and what perpetuates them?   In 1957 a WWII veteran watching the film The Bridge Over the River Kwai had to step outside of the small theater. Why? Because the images on-screen returned him to a reality of vivid sights, feelings and odors twelve years past, memories so alive that his body shook uncontrollably. Only a silent lamppost on the street could console him. That man was my father. What were his wars about? Why did they start and why did they continue? How did they affect his family, his neighbors and his community?

In 2012, a young woman in Sonoma County, California, stands on a sidewalk outside her home and rages. Screaming insults and obscenities at her aunt, father and grandmother she's trying to get her way. She's my neighbor. What are her internal wars about? Why did they start? How long will they continue? Will she pass them along to a someday-to-be-fathered child? And if so, will she be aware enough to get it - that what goes around, comes around?

Reading Grant's memoirs I recall Dee Brown's Bury My Heart at Wounded Knee, the story of America's post-Civil War westward expansion, and how it silenced the voice of our continent's indigenous people. Ever read it? As a study in the aftermaths and effects of war it should perhaps be required reading in high school history classes and college psychology courses.

The June 23, 2012 issue of TIME magazine (p 22-23) carries a sullen image of a young widow. Beside her are these words: "More U.S. soldiers have killed themselves than have died in the Afghan War. WHY can't the Army win the war on suicide?" As a former Army officer myself, my immediate response is that this war on suicide is not just the Army's problem. It's a problem that belongs to us all.

I step onto US soil, inbound from Hong Kong or Poland or Mexico or Australia or China, and am greeted by bodies vastly larger than what we all know to be healthy. We are at war with our own bodies?   Why? Don't we know we're killing ourselves? Obesity in America is rampant. In 1960 our nation's obesity level stood at 9.7%. By 1994 it had reached 24%. Today we sit at 36% and by 2030 we are expected to hit 42%. If we were to view what we doing to ourselves in the context of a national security issue our national debate over health care might get more traction than seen only within the context of it being a health issue. National security? Sure, why not? Historically, what has always happened to nations whose citizens became collectively ill prepared and unfit to care themselves, nations who relied on the technologies of their day and sought to hire in professional militaries in order to maintain the appearance of power and strength rather than finding strength (physical, mental and emotional) from the vast pool of the average people who lived within their boundaries?

Back to July and East Stroudsburg University and Uriel Trujillo's UPWARD BOUND PROGRAM. His students are walking into a world we have created with the help of our ancestors. Perhaps Uriel is onto something by inviting me to join him in small step, to assist his at-risk youth; helping them to seek alternative ways to deal with the stresses and conflicts of life, to consider principles of dignified and peaceful living, to think about what they might be able to then carry forward into the world they will inherit from us.

Interesting what thoughts a Game - in this case The Samurai Game® - can inspire.


© Lance Giroux, 2012

Sunday, September 23, 2012

The Game and The Art Part 1 (continued)


Part 1 is first in a series of Ronin Post articles dedicated to The Samurai Game® and to the man, George Leonard, who created it; and to Aikido, the martial art that directly influenced his later years.


Uriel Trujillo and his East Stroudsburg University www.esu.edu UPWARD BOUND students were the immediate inspiration for these articles. On July16, 2012 we were vistited by two television news crews there to capture what we were up to. To view what was aired that evening in eastern Pennsylvania on regional and local TV hit these links and ENJOY!

Regional Channel 69 news- View Video Here 

Local Channel 28 news- View Video Here 


A quote from Mary Oliver  
INTRODUCTION
In 1977 George Leonard invented the Samurai Game®. How he did that will be addressed later. For now what's important is that he ended his first delivery with a powerful and timeless social/psychological inquiry: Why do human beings continue to engage in and practice war as a means to resolving conflict? Given we know that for as far back as we can look into history war (the most intense form of conflict on our planet) always results in massive destruction, complete ruination of economies, severe emotional and psychological damage to generation upon generation - why do human beings keep practicing it again and again and again?   We're smart, aren't we? We know for a fact what war always results in. People all over the earth proclaim themselves to be peace lovers. So why do we, the most intelligent species on this planet, keep doing this?

--- continuing from August 2012 issue of The Ronin Post ---

George Leonard was a combatant in two major wars. He well understood the need for nations and peoples to protect themselves. Throughout the nineteen years that we knew each other, including at our last meetings in late 2009 just prior to his death, the dilemma of war occupied the foreground of our thought and discussions: What is needed such that individuals and countries can stand strong, yet be willing and able to deeply listen to others no matter who they are such that harmony can prevail? What fosters understanding? Can new paths be taken for combined peaceful futures?

Part of his answer is found in something he wrote a short one page piece "Toward A More Vivid Peace". [request copy via email here info@AlliedRonin.com] George knew war from the inside: its sights, smells, sounds, energy and taste. He was shaped by experience to look for better ways and to encourage others to actively do likewise.This fueled his notion to create a Game wherein the players would take on the role of samurai, engage in an intense competition through which they might uncover the seeds of peace - yet all the while knowing that samurai were considered to be some history's fiercest warrior examples.

A provocative undertaking. But why? His reasons were (and remain) at a minimum three:
* to beg the above big questions,
* to confront individuals and groups with their personal and individual habits that foster fighting when a different practice could create solution and/or resolution, and
* to promote strong peaceful long-term practices for healthy living.
By considering the above ourselves we can all begin to delve into our own exploration of the WHY of The Samurai Game®.

For some war is an abstract - men and women of sinew racing through jungles or across deserts or down snowy slopes. It becomes the stuff of TV or talk show radio, or ball game and bar room blathering. It's found on big screen and in Netflix cinema. Whether romantic, grotesque, promoting bravado and idealism (e.g. Act of Valor), or illuminating the deep costs and trauma of combat (e.g. Restrepo and The Hurt Locker and Joyeux Noel) - we dig into our wallets to watch and in some interesting way, be entertained. But shrink war down a bit from its global or regional arenas to its smaller neighborhood and household areas of operation and it becomes something personal, more real for those of us who have never stepped into a combat zone.

The smaller wars: senseless bickering in boardrooms; sibling rivalries lasting well into adulthood; arguments over who is right and who is wrong based on skin color or ethnicity or religious affiliation (or non-affiliation) or family heritage; forced policies driven by antiquated perspectives that will not yield to sanity, meaning that the practitioner ought step back a bit to look and listen. These also are wars, aren't they? Wars that undermine mom and pop shops, market places, churches supposedly housing spiritual roots of the planet's varied religions. Wars of health care practitioners and insurance companies. Wars of lawyers and political parties scraping to control the economic turf and narrow thinking that goes along with the incessant need to acquire more and more - at all costs.

Yes, these too are wars. And as with their larger cousins they bring vibrant states and nations to their knees. Wars could be avoided if our daily living could anchor to the vividness of peace with the same intensity that it anchors to the juice of conflict. But this re-anchoring would take shifts of awareness and consciousness coupled with repeated acts of individual courage - thus forming new practices - and this could generate constructive living.

Today, in 2012, our nation's internal conflicts are front and center. We are engaged in a great national debate. It's good we debate; free speech is important. We are gearing up to an election.   This too is good; we can still freely elect. But our debate is not being conducted or held as ...

(to be continued in The Ronin Post, October 2012)

© Lance Giroux, 201

Monday, August 20, 2012

The Game and The Art



   
Part 1 is first in a series of Ronin Post articles dedicated to The Samurai Game® and to the man, George Leonard, who created it; and to Aikido, the martial art that directly influenced him during the later years of his life.
Participants Upward Bound
Participants Upward Bound
The call came last February from Uriel Trujillo of East Stroudsburg University (ESU - Pennsylvania). His request - delivery of The Samurai Game®. The attendees would be high school age at-risk youth enrolled in UPWARD BOUND, the program he directs for ESU. I agreed and offered to include two additional days involving aikido, in this case adapted for that age group and to be called "The Art of Practice and the ESU dojo". It wasn't until July that I appreciated what Uriel had done to make this available. I began to get answers to the why of his February request. The potential impact of both the Game and the aikido-based program become more clear. By the afternoon of July 17th students, parents, faculty, staff, university officials and Uriel had all been touched. Regional TV reporters showed up to catch the story- to view click here.

Privately, when all had gone back to their dorms, Uriel asked how I was feeling. "There have been a few days in my life," I said, "when I've fallen in love with the entire world. Today was one."

Uriel's February call outlined a definite need. "These students are on track to be the first in their families to attend college. Being at-risk youth means that most come from financially disadvantaged and/or broken homes. Many live in the midst of familial or neighborhood disturbance and trauma. A broad spectrum of ethnicities and beliefs are involved. They represent grades 9 through 12. What you bring can help them stay on track, deal with issues of peer and family pressure, plus overall appreciation of principles needed for healthy relationships and principles for life success - dignity, courage, honor, etc."

Only a third of my fee for the Game could be covered. I told him this wasn't a problem. His surprising, "Really, why!?" - prompted my, "Because, it seems like the right thing to do." "OK," he said, "but I'll try to get additional funding so you can bring the aikido work too."

Over the next few weeks Uriel worked on financing issues. A martial artist himself, he knows the value this kind of metaphor brings to people, provided proper interpretations are made. Meanwhile, I sought help from two acquaintances, Carmela Bennett and Tesfaye Tekelu, explaining the potential difference to be made. Both are black belt ranked aikidoka, and both live in New York City just 90 minutes from the ESU campus. Carmela had recently received her doctorate in education. Her thesis addresses the impact that somatics has in the teaching/learning process. Tesfaye, a young Ethiopian, had founded the Awassa Peace Dojo in his home country, thus opening the horn of Africa to aikido. Because of him some 500 youth have been introduced to the art and opening the door for thousands of people to approach conflict resolution through non-violent means.

Calls and coordination continued. A few months into the process Uriel connected with, "Sorry, no funding for the aikido work. We can only fund the Game." I told him I understood, but offered: "let's do it anyway." He: "What? Really! Why?" Me: "Because we'd be insane to pass up the opportunity. If we don't do it now we'll have to wait a year or two longer. Then what?   We'll just be in the same place that we are today."

The days July 12-13 and 16-17 at ESU with sixty-some UPWARD BOUND students got to me, and it also got to the staff, the university officials and Carmella and Tesfaye. With this came a broader understanding of and possibility for UPWARD BOUND. ESU's program is just one of 900 scattered across the US, all housed on college campuses.   If similar results can spread elsewhere then the potential impact will touch hundreds of thousands of people.   Everyone involved these past months had his or her own reasons and needs for wanting this to happen. Those reasons were addressed and the needs were filled. A few weeks after the program was complete I was having supper at Dempsey's, a favorite hangout back home in Petaluma, California. My son, Alex, plus three black belt aikidoka from the dojo where I train joined me.   All had played the Samurai Game® at some time. We talked about Uriel, his students and the resulting delivery. Someone at the table offered, "There's an important book to be written here, not just this most recent thing, but about the Game itself, what it is and what's transpired over the years because of it."

So the next series of Ronin Post articles will take a step in that direction.

What is the Samurai Game®? Where did it come from? What are its objectives and how does it accomplish these? Who is it for and who has used it? What impact does it have for individuals, teams, schools, universities and organizations that engage in it? Who can produce and lead it, and what is involved with that? A myriad of questions need to be answered.

But the question to start with is WHY? Why the Game?

Years ago one of my mentors offered that the question 'Why?' always influences and provides insight into: 'Who?', 'What?', 'How?', 'Where?', etc. He contended that those who deeply understand why will always lead those who know what and/or how. Good consultants know that the first step in getting an organization back on track is to ask the founder, "Why did you start this thing (business, nonprofit, law firm, etc.) in the first place?"

In 1977 George Leonard invented the Samurai Game®. How he did that will be addressed at a later time. But for now what's important is that he ended his first delivery with a powerful and timeless social/psychological inquiry: Why do human beings continue to engage in and practice war as a means to resolving conflict? Given we know that for as far back as we can look into history war (the most intense form of conflict on our planet) always results in massive destruction, complete ruination of economies, severe emotional and psychological damage to generation upon generation - why do human beings keep practicing it again and again and again?   We're smart, aren't we? We know for a fact what war always results in. People all over the earth proclaim themselves to be peace lovers. So why do we, the most intelligent species on this planet, keep doing this?

(to be continued in The Ronin Post, September 2012)

© Lance Giroux, 2012